Scarecrow Frequency

Something in the corn is counting down

Out past the last farmhouse, in a field of dead corn, a scarecrow stands with an old field radio strapped to its chest. The moon is low and hazy, the fog sits in the rows, and the radio is still on. Nobody remembers who put it there, or why. Its amber dial glows in the dark, long after anyone should be listening.

Through the static, a voice counts down from ten. Then it calls a name. Maybe yours. It sounds close and far away at once, the way voices do on a bad line. The lyrics stay small and broken, like a signal that keeps dropping out: straw in the static, your name in the wire, button eyes, a dial turning with no one home. Somebody picks up a torch and starts walking the hollow rows, following the antenna wire toward the scarecrow, because some calls you have to answer.

The sound walks with them. Walls of shoegaze fuzz drift over the field like fog, while a drop-tuned groove moves slowly down the rows, one heavy step at a time. Industrial edges hum and creak underneath, all wire and rust and cold metal. The count keeps going, and every bar pulls you closer. Then the breakdown hits, the radio bursts open in a shower of sparks, and the whole field seems to roar before it falls silent again. It is a song about being called, and going anyway.

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Part of my October Halloween run. Leave the radio on.

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