Short video edit to accompany the End of Days EP
Short video edit to accompany the End of Days EP
END OF DAYS FOUR TRACK EP
L’Épeé at the Evolutionary Arts Hackney (EartH) theatre was an awesome gig and a great venue for Live music.
The L’Épeé band is made up of French rock group The Limiñanas, French actress, singer and former model, Emmanuelle Seigner, (The Ninth Gate) and Anton Newcombe of The Brown Jonestown Massacre.
Being a movie fan, a fan of 60s rock ‘n’ roll and French music in general, there is plenty to like about L’Épeé’s music and visuals.
The psychedelic lighting and powerful wall of sound in this old theatre made for a very cool experience, and I heard a few new songs not on their debut album: ‘Diabolique‘.
Kenji is a very inspirational artist for me. I love his approach to making music, he is challenging music industry convention with his improvised lyrical style, leading the ‘sound carriers’ to make each show a unique experience.
The ‘sound carriers’ for this show were Gently Tender who swapped instruments around vibing with Kenji’s spontaneity.
As I arrived at the venue Kenji was standing outside and I was able to say ‘Hi’ and grab a quick picture with him. You can tell he is a lovely guy, a true artist who is doing this for the love of music and Live performance.
Definitely a Live music highlight and getting to meet Kenji in person made this a special gig for me.
Two of the best punk rock bands around.
I didn’t catch ‘CLTDRP’. I’m not sure if they were on earlier or a bit later.
The Shacklewell Arms is a nice venue as well, the atmosphere was good with a decent size crowd. I recognised a few faces from the Siren Calling Fest as well, which was nice.
For me this was a better LIVE gig experience than bigger name bands. I prefer the smaller venues, and this one has a great punk rock vibe. Also good to see bands early on their musical journeys.
L’ÉPÉE – ‘DIABOLIQUE’
This is the debut album release from L’ÉPÉE , the band are Emmanuelle Seigner (Ultra Orange & Emmanuelle), Anton Newcombe (The Brian Jonestown Massacre) & Lionel & Marie Liminana (The Liminanas) . It is very rarely that a musical project lives up to the billing of being a ‘supergroup’. However, the exception to this rule comes in the shape of L’Epee.
A stellar combination of the talents of The Brian Jonestown Massacre’s Anton Newcombe, cinematic femme fatale Emmanuelle Seigner and ice-cool pop provocateurs The Limiñanas (Lionel and Marie Liminana), L’Epee transcend artistic and traditional borders.
“We are living in very culturally insular times, so it feels really good to be swimming against the tide,” says Anton of the band’s bi-lingual, cross-continental approach.“There’s something really positive about branching out, collaborating and taking risks.” Far from being defeated by a world seemingly regressing into turmoil, L’ Epee’s strength comes from a long history of challenging the status quo.
From Anton’s legendary battles with ‘The Man’ with The Brian Jonestown Massacre to Emmanuelle’s eclectic screen career to The Liminana’s community-minded ethos- setting up their own record shop, L.G.D.C, and promoting gigs by the cream of the world’s garage rock scene (New Bomb Turks, Oblivians, Fleshtones, Revelators) -they share a fierce intelligence and an outsider aesthetic which, over the decades, has been sharpened to a razor’s edge.
Fitting, then, that their name translates as The Sword. “It came to me in a dream,” explains Anton. “I woke up and there it was, ‘The Sword’. Someone told me there had already been a band with that name so I flipped it into French. It suits the band because we’re united in a common cause.” This pent-up creative energy has been channelled into their extraordinary debut album, Diabolique. Named in tribute to Mario Bava’s 1968 cult classic ‘Danger: Diabolik’, it’s a musical masterclass where elements of garage, ye-ye, sleaze rock, cult soundtracks, sci-fi, spaghetti westerns and girl-group pop noir are combined with the cut-and-thrust zeal of a band bursting with ideas and energy.
All delivered by Emmanuelle in a sultry Gallic drawl which will send a frisson of recognition through anyone familiar with her iconic roles in, among many others, Frantic, Venus In Fur and Bitter Moon (all directed by her husband, Roman Polanski). “I’ve loved rock music since I was a kid,” she says, namechecking Lou Reed, The Velvet Underground and The Stooges as key influences.
“I always wanted to be a musician, but it wasn’t so easy in France as I couldn’t meet the right people. Then I became a model and then very quickly after that I did Frantic and became an actress. It worked for me, but in my heart I always wanted to do music.”
Having asked close friend Bertrand Belin to provide lyrics for three further tracks (‘Grande’, ‘On Dansait Avec Elle’ and ‘Lou’), the trio set to work at The Limiñanas’ studio in Cabestany, Southern France, in November 2017 -with Emmanuelle, ever the perfectionist, fine-tuning them the following February.
Satisfied with the results, the trio flew to Berlin to hook up with Anton and (Liverpudlian engineer) Andrea Wright at his Cobra Studio in Berlin Utilising a treasure trove of vintage equipment (“I’ve got way more ‘60’s gear than The Beatles and The Stones had, I’m mad for that stuff”, explains the BJM man), Anton set to work, re-recording the drums with Marie and adding -and deleting- tracks so that the shifting layers of sound suited the mood of each individual track.
“I’ve got plenty of other ways to express myself, so I really enjoyed taking a backseat, creatively,” he explains. “Lionel is such a great composer. There’s a very visual sense to his songs and I was very conscious of not stepping on his intentions too much. There were some really interesting sonic things I would add, like a track of the craziest feedback, to give a song a weird ambient quality. It’s the role that Brian Jones had in the Stones, or Warren (Ellis) has in Nick Cave’s band. Musically, they’re all over the map, but they make things happen.”
“It was so inspiring to see Anton work,” says Emmanuelle of seeing him in action.
“When we sent the songs to him they were good, but they were nothing like how it ended up. He’s so talented, like a genius. He made the whole thing darker, more interesting and more psychedelic.”
Available at CARGO RECORDS
Glad I decided to pick up tickets to see L’ÉPÉE LIVE at EartH in London in December.
The venue itself is a former warehouse unit with some cool exterior art. Inside there was a nice underground LA / Seattle alternative vibe with blacked-out decor, a decent Live stage, bar, even a couple of sofa’s to chill out on.
I arrived a bit late to avoid what I thought would be long queues so I missed a few bands: Dead Naked Hippies, Something Leather, JunoDef and GayGirl, and performances on the acoustic terrance.
The attendance early on was mostly band members and support, a few music journalists, friends and fans.
A shame for those who didn’t fancy this event, they missed something pretty special but all credit to the bands who powered on regardless.
The first band I saw blew me away and set the vive for what was to come.
I like the positive vibes of “shoe gaze” music and enjoyed Wyldest‘s ‘dreamy pop’ songs. Really nice sound.
I was impressed with their set, beautiful vocals and guitar sound. This song in particular is a favourite.
THYLA were awesome. Great songs and stage presence. Really impressive performances all round.
I found Tess Parks’ music through another fairly recent musical discovery for me: The Brian Jonestown Massacre.
Tess’ music has an authentic 60’s vibe with influences from The Beatles, John Lennon, The Rolling Stones, and more.
Personally I think her music fits in with the vibe of George Harrison, Small Faces, The Who, Velvet Underground, Jefferson Airplane, Serge Gainsbourg and Jane Birkin, to name a few..
The song and video for Friendlies is favourite. And it was nice to see a love of England and London in Tess’ music videos.
I think Tess is very different but familiar in a scene I personally love.