Something new for the blog: Neo-Kowloon Harbour, an ongoing story told in manga panels. Each chapter comes with its own song, made in Suno, and the story moves on a little every time.
It’s 2079. The harbour never sleeps and it never stops raining. His code name is Ghost. The voice in his ear calls him Master. He’s half machine and half old-school hunter: a long mustard leather coat with the collar turned up, a face as pale as porcelain, faint cyan seams along his jaw, an amber left eye that sees too much, a blaster on his hip and kung fu in his hands. He doesn’t make arrests. He beats them down, or he retires them.

The lieutenant clicks the remote and the screen fills with faces. “The Harbour Lotus crew. The brute, the chain, the blade and the old man who keeps the books.”
Another click. A red frame. “And him. Skin job. Built to work the docks, and now he runs them. Our informant will hang red paper on the gate where he’s holed up. Find the paper, you find him.”
“Retire him, Ghost. Quietly, if you can manage it.”
Ghost has never managed quietly.
Out on the street he stands still in the rain and lets the city move round him. One coat, one name they fear.

She watches from a high window above the docks, one hand flat on the glass.
“Red paper on a gate behind the night market, Master,” she whispers. “He’s there. And they know you’re coming.”
“Good.”

Steel shutters crash down behind him, one after another, all the way along the alley. They were waiting. Somebody talked, and they know it. He doesn’t look back.
“Master, don’t turn away,” she breathes.

Four of them step out of the rain: the brute, the chain, the blade and the old man in pinstripes, who stays at the back. He always does.

The chain goes first. One open palm and he’s off his feet, his chain whipping loose behind him. The brute and the blade are already coming.

The chain swings back for a second try and finds the wrong neck. It wraps him up shoulders, arms and all, and he goes over backwards like a felled tree. Ghost doesn’t even have to move.

The brute takes the stairs two at a time and meets a boot coming the other way. The red paper on the gate was never there to keep old things out. It was the informant’s signal: he’s here.

She comes at him along the quay with that pink blade humming. One flying kick and she’s over the edge, the blade spinning off into the dark. The harbour takes them both with a splash.
“Master, he’s running. The night market.”

Slicked-back hair, mirrored eyes, the face from the red frame. He shoves through the stalls, scattering umbrellas and steam. Ghost follows, in no hurry.

“Master, there are people—”
“I see them.”
One shot, clean between the umbrellas.

The bolt carries him through the window, neon and all. Glass, ice, a fishmonger diving for cover, and the white tiles coming up fast. He doesn’t get up.

The onlookers stand under their umbrellas and stare at the hole in the window. Ghost rests a hand on the open car door.
“Target down, Master?”
“Tell the lieutenant.”
Another skin job retired.
Listen: The Night Has Found Its War on Suno
Drum and bass breaks over 70s funk drumming, detuned analogue synths and a Hong Kong action-film swagger, with the handler’s whisper in your ear.
Next time, in Chapter Two: in the harbour, everything has a price. Even people.
What do you make of Ghost and his handler? Tell me in the comments what you think happens next.


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